Carrie Cracknell is a theatre and film director. Her debut feature film, an adaptation of Jane Austen's PERSUASION for Netflix / MRC, starring Dakota Johnson, was released on Netflix in 2022.
In 2023, she directed a major revival of Portia Coughlan by Marina Carr at the Almeida Theatre.
Her production of Sea Wall/ A Life was nominated for four Tony Awards (Best Play, twice for Best Performance by an Actor in a Leading Role for Jake Gyllenhaal and Tom Sturridge, and for Best Sound Design in a Play for Daniel Kluger).
At university she set up a production company called Hush with a group of friends including the actor Ruth Wilson and the producer James Erskine. Their first show transferred to New York and London while they were still studying. At the age of 26 Carrie became the youngest Artistic Director in Britain when she and Natalie Abrahami took over The Gate Theatre in Notting Hill, which they ran for 5 years and where she directed extensively.
Her first dance/theatre collaboration at The Gate, I Am Falling, transferred to Sadler’s Wells and was nominated for a South Bank Show Award. After leaving The Gate, Carrie went on to create her iconic production of A Doll’s House which ran twice at the Young Vic before transferring to the Duke of York’s in the West End and BAM in New York and for which she was nominated for the Evening Standard Best Director Award. It led to her developing the short film Nora with Nick Payne in response to the play which was produced by the Young Vic. She then went on to direct her first opera, Berg’s Wozzeck, for the ENO at the Colliseum, which was nominated for an Olivier Award and an International Opera Award.
Carrie now regularly collaborates with the National Theatre where her credits include her acclaimed productions of Medea, The Deep Blue Sea (both with Helen McCrory and which were live-streamed into cinemas internationally as part of NT Live), Blurred Lines and Julie (starring Vanessa Kirby in a new version by Polly Stenham, also NT Live.)
Carrie has been an Associate Director at both the Young Vic and the Royal Court Theatre, and was a member of the board at the Almeida Theatre.